This article analyzes Alisher Navoi’s “Vaqfiya” as a work in which the documentary genre and artistic style are organically integrated, functioning as a means of revealing the author’s conceptual framework. As a historical source, “Vaqfiya” presents Navoi not only as a creative writer but also as a statesman and an active participant in social governance. The text comprehensively reflects the author’s worldview, personal life experience, system of values, and political views. Particular attention is given to reflections on the complex socio-political conditions of the period, as well as to philosophical considerations concerning the relationship between the individual and the state.

Authorial concept, documentary genre, artistic style

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