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https://doi.org/10.37547/ijll/Volume05Issue01-13
The Philosophy Of War In Tolstoy’s War And Peace
Abstract
This article explores the compositional structure and stylistic originality of War and Peace by Leo Tolstoy, with particular attention to the depiction of war as a philosophical and moral phenomenon. The study investigates how Tolstoy’s narrative technique, realism, and polyphonic structure intertwine historical authenticity with moral reflection. The analysis highlights the author’s rejection of conventional epic heroism in favor of a psychological and spiritual examination of human nature. The theme of war is interpreted as both a historical necessity and a moral trial, revealing Tolstoy’s vision of history as a manifestation of collective human will rather than individual ambition.
Keywords
Leo Tolstoy, War and Peace, composition
References
Tolstoy, L. N. War and Peace. Translated by Louise and Aylmer Maude. Oxford University Press, 2010.
Berlin, Isaiah. The Hedgehog and the Fox: An Essay on Tolstoy’s View of History. New York: Simon & Schuster, 1953.
Lukács, Georg. The Historical Novel. London: Merlin Press, 1962.
Christian, R. F. Tolstoy: A Critical Introduction. Cambridge: Cambridge University Press, 1969.
Mandelker, Amy. Framing “War and Peace”: Tolstoy, the Woman Question, and the Victorian Novel. Columbus: Ohio State University Press, 1993.
Bayley, John. Tolstoy and the Novel. London: Chatto & Windus, 1966.
Orwin, Donna Tussing. Tolstoy’s Art and Thought, 1847–1880. Princeton: Princeton University Press, 1993.
Fokin, S. Philosophy and Ethics in Tolstoy’s Prose. Moscow: Nauka, 1988.
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