The article discusses the features of the functioning of alliteration and sound repetition as a poetic device in the work of the outstanding poetess of American romanticism Emily Dickinson. Examples of the most frequent cases of the use of alliteration are given, which are analyzed on the basis of the organizational and compositional principles. As a result of the analysis of different types of alliteration, a classification of alliterations characteristic of the individual author's style of the poetess is proposed.

Expressiveness, alliteration, onomatopoeia, aesthetic effect, phonostylistics of literary text

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