The article examines the genre nature of legends, the uniqueness of their poetics, and the scientific description of the varieties of the genre in folklore studies. The diversity of the paradigm of folklore legends, their constant interaction with other genres predetermine the introduction of new definitions and the clarification of existing ones. At present, the plots of various legends in the global context are the most popular narrative and content structures for expressing and transmitting personal religious feelings in modern oral folklore. Such stories expand the boundaries of reality and allow a miracle to enter everyday life, transforming it, changing the person himself.

Legends, worldview, semantics

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