The article discusses the Havjar song performed at a family wedding, a bride's wedding. The artistic poetic repetitions of the Havjar song in the texts of the Karakalpak, Uzbek, and Kazakh peoples are studied comparatively. The use of poetic repetitions in the poem is analyzed using various figurative devices. It is shown that the term "qo'shiq" is repeated in the form of a refrain, «havjar, yor-yor» in Karakalpak, «yor-yor» in Uzbek, and «jar-jar» in Kazakh, ensuring a specific rhythm and musicality. The appropriate and appropriate use of artistic repetitive units in all Karakalpak, Uzbek, and Kazakh poems is illustrated with examples. The poetic repetitions in the Havjar text enhance the emotional and aesthetic impact of the poem. In the text, anaphora and alliteration are repeated in a descriptive manner, and their role in enhancing artistry is scientifically revealed. The artistic repetitions in the compositional structure of the «hovjarlar» are created in the texts of the three peoples using various figurative means, demonstrating their ability to convey the idea to the listener with emotional and aesthetic impact.  

Traditional folklore, poetic repetitions, comparative analysis

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